{"id":16,"date":"2026-03-08T12:41:53","date_gmt":"2026-03-08T12:41:53","guid":{"rendered":"https:\/\/www.viliero.com\/?p=16"},"modified":"2026-03-08T13:36:16","modified_gmt":"2026-03-08T13:36:16","slug":"playlist-1","status":"publish","type":"post","link":"https:\/\/www.viliero.com\/index.php\/2026\/03\/08\/playlist-1\/","title":{"rendered":"playlist #1"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">\u0395\u03c1\u03ac\u03bd &#8211; \u03a4\u03bf \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf \u03b4\u03ac\u03ba\u03c1\u03c5<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Du rebetiko &#8212; un titre que j&rsquo;ai d&rsquo;abord connu part Sex, drugs &amp; rebetiko. Je ne sais absolument pas de quoi parle le morceau. Cette version est nettement plus propre que la version de Sex, drugs &amp; rebetiko, que je n&rsquo;ai pas sous la main \u00e0 l&rsquo;heure o\u00f9 j&rsquo;\u00e9cris.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u0395\u03c1\u03ac\u03bd - \u03a4\u03bf \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf \u03b4\u03ac\u03ba\u03c1\u03c5\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/-Vy7U0A-DN4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Souris-Jordan Jazz Orchestra &#8211; Complicity<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">C&rsquo;est la d\u00e9couverte jazz de janvier 2026. L&rsquo;album est foutrement coh\u00e9rent, \u00e0 la lisi\u00e8re du free jazz. Ils ont sorti plusieurs albums. Ils sont am\u00e9ricains, du Texas et ils ont du se perdre en route parce que \u00e7a sonne bien plus le club enfum\u00e9 new-yorkais que le graillon d&rsquo;un bon gros steak accompagn\u00e9 de bonnes grosses patates.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Complicity\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/MkzaJGjgLms?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">bandcamp: <a href=\"https:\/\/sourisjordanjazzorchestra.bandcamp.com\">https:\/\/sourisjordanjazzorchestra.bandcamp.com<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Barbara Mason &#8211; Keep Him<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La sucrerie. 2min05. Deux accords peut-\u00eatre un autre qui tra\u00eene dans un coin. Comment faire tenir un morceau avec juste rien. On appr\u00e9ciera la voix doubl\u00e9e voire tripl\u00e9e sur l&rsquo;outro.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Keep Him\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/xMbuQLO-TnE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u0395\u03c1\u03ac\u03bd &#8211; \u03a4\u03bf \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf \u03b4\u03ac\u03ba\u03c1\u03c5 Du rebetiko &#8212; un titre que j&rsquo;ai d&rsquo;abord connu part Sex, drugs &amp; rebetiko. Je ne sais absolument pas de quoi parle le morceau. Cette version est nettement plus propre que la version de Sex, drugs &amp; rebetiko, que je n&rsquo;ai pas sous la main \u00e0 l&rsquo;heure o\u00f9 j&rsquo;\u00e9cris. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[19,18,17],"class_list":["post-16","post","type-post","status-publish","format-standard","hentry","category-playlist","tag-barbara-mason","tag-souris-jordan-jazz-orchestra","tag-17"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/posts\/16","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/comments?post=16"}],"version-history":[{"count":5,"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/posts\/16\/revisions"}],"predecessor-version":[{"id":39,"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/posts\/16\/revisions\/39"}],"wp:attachment":[{"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/media?parent=16"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/categories?post=16"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.viliero.com\/index.php\/wp-json\/wp\/v2\/tags?post=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}